Post Up II
Last week we did the most basic editing by separating the subject from the back ground, balancing the exposures and making contrast, saturation, and shadow/highlight adjustments independent of each other. Today we are going to finish off the photo with some cloning. There are plenty of different ways to do cloning and none of them are wrong, so don’t think you need to do it the same as I do. Any way that accomplishes the result is just fine. Lets go back to that background layer that we just adjusted and duplicate it. We see an ugly black waterline from the river going right through the bird. This is going to be a lot easier to fix with the layer mask in place, we won’t have to worry about our bird at all. Select a soft brush with medium opacity in your clone brush tool and be sure that you are sampling only the current layer and the “aligned” box is checked. Here you have your choice, you could clone with the river bed rock, the foliage, or a combination of both. In this case I did both trying to make the water line slightly meandering so it is not a straight arrow shooting straight through our eagle. The log under the eagle could also be cloned out at this point but I think I will leave it in. The only big distraction it creates is the huge black spot behind the subject in the trunk. I am going to sample the area just below it and at a very low opacity tap the brush repeatedly until it looks ok.
Yeah, that’s the ticket. Now lets look at the bird. Not much to do here, the beak has a white highlight on the tip, it is not a blown out highlight just a white area that is overexposed. All we need to do is put some color in it and that is easy to do. I could clone from the area around it but since the area is round and irregular shaped it is much easier to simply sample a nearby color and paint over it on new blank layer. At this point you could try different blending modes and the “color” mode is often a good choice but since the underlying layer is white just lowering the opacity until everything blends in works just fine. By the way, there is a lot of blood and dirt in this eagles head area, usually eagles clean up after eating but this guy must have forgotten. I could have cleaned that up but for me it is just part of nature so I left it in. On the strip of the tail that was too bright I did a little cloning lowered the opacity and changed the blend mode to multiply (I think!) to darken it up a bit. After that Shift<Option<Command<E to make a complete layer, flatten the image if you need the performance. I now just need to clone out that branch in the lower left corner, healing brush will get it too, and send the image over to Lightroom for some final adjustment. I like to use Lightroom for sharpening, noise reduction, saturation, and selective exposure or gradient masking. There is no need to do it in Lightroom but for me it seems easier, probably because it is one step closer to a final output.
I am sure you will agree that the final image is a vast improvement and I hope one or two of these methods finds its way into your workflow. Until next time Thank You for stopping by and Happy Shooting.
You can catch me on Twitter: @RonBoyd