Background, Background, Background
The one thing that will always make or break a photo is the background. Second to the subject the background is the single most important feature that must appear in every photograph. Most of the time the photographer wants to have the background blurred out as much as possible. This allows the viewer to concentrate on the subject which presumably is in focus. I always hear that a good photographer should buy a really fast lens and shoot at a wide aperture to get great blurred backgrounds, also known as “bokeh”. That is great advice but in the world of avian photography it is more complicated than that and I will try to explain a couple of things that have worked out for me in getting pleasing backgrounds.
There are also times when you need to have the background in focus and essentially it becomes the main subject. Take for example a bird silhouette against a sunset or moonscape. This may sound like a fairly easy, straight forward type of photograph but there are some important things that have to happen in order to get both your bird and background in focus.
Just to illustrate how big a deal the background really is, look at the image at the top. It is one of my favorite pictures of a Raquet Tailed Roller from a trip I made to the San Diego Zoo. Now look at the image below. That is the same bird on the same branch taken less than a minute apart. Look at how awful that background is. You may think that one of these images has some clever Photoshop work done to it. Well I am here to tell you that I am not that clever. The whole secret to getting that more pleasing image was to take about a half step closer to the subject and a couple of steps to the left. That is all a product of being mindful of both the subject and the background.
- Always be mindful of both your subject and the background. It is very helpful to search for the background you want in a target rich area and then wait for the birds to come into that background area. It will take experience to know if the background you want is an area where the birds will want to go but just remember that birds are creatures of habit, if they do it once chances are they will do it again. Be careful of branches, twigs, and hotspots. Some of this stuff can be photoshoped but it is always better to get it right in camera.
- The ratio of focal distance to the distance between the subject and background has the most profound effect on the detail of the background. This is true when using any super telephoto lens especially when using a crop sensor camera. So, if you are looking for that super blurry background you want to be as close as possible to the subject and have as much distance as possible between the subject and the background. conversely, if you want the subject and background to be in focus you will want to have some distance between yourself and the subject and also stop down the aperture as much as possible.
- Don’t be too concerned about the aperture settings effect on the background. Typically I only concern myself with aperture settings in regards to the subject. I set it so I will get the detail in the birds where I want it and no more. When using a lens 300mm or more at close distance the depth of field is going to be very shallow anyhow.
- Search for complimentary colors. If you have all those other things working for you the background will very often be just a swath of color. Try to choose colors that will compliment the subject. For example, one of my favorite photos is a white egret against an all blue background caused by the ocean.
- Try to get the background lighting similar to the lighting of the subject. Doing a high key or dark background is very dramatic but a little goes a long way and in general you will want to have the whole scene evenly lit.
Those are my few tips for getting pleasing backgrounds. Thanks for reading and I hope you comeback soon.
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