Just a quick little reminder that the Wildlife & Nature Pictures application that I have for iPad and iPhone contains 46 free full resolution images available for download and personal use. The application is a free download too. Counting it all up that means that there are 46 nature and wildlife images at no cost to you! When last I checked, that is less than a cup of coffee.
Wildlife & Nature Pictures is available world-wide in the Apple App store and is translated to Spanish with more languages coming soon.
You can download your free copy today at the link below or search for app id #595565558 outside the US.
Born from the desire to make better screenshots all the photography applications will get an enhanced AR experience on the next round of updates. The trio of apps will soon be able to save and share a snapshot of the augmented reality experience and return to viewing artwork in AR on the same screen. Users will be able to save the snapshot to Photos, other storage services, and social media. Now users can see what their own artwork looks like mounted on a wall and easily get an opinion from others.
Also included in this update will be a larger range of image sizes with a maximum of 1 meter (about 36″) sized artwork. Planned for an update later this Summer the apps will also have the capability to free stand on table and counter tops.
You can download all of the apps at the links below.
Coming soon to the iPhone and iPad augmented reality becomes more powerful and will bring a new dimension to the three photography related applications I sell. Specifically, the next version of the iOS operating system, version 11.3, will include vertical plane detection in it’s ARKit framework. What that means for all you non-nerd folks is that your phone or tablet will soon be able to detect walls and place objects on them like paintings and pictures.
For the free Nature & Wildlife Pictures app, users will be able to use AR to preview the for sale images in a variety of frames and sizes in their own homes, on their own walls before making any purchase. Get it Straight and Canvas Art users will be able to use their edited images to mount in a variety of frames and sizes so they can see what their completed art looks like on the wall before going through the time and expense of printing the image.
Augmented Reality was first introduced to the iPhone and iPad in September of last year. At that time horizontal plane detection was fully functional and placing virtual objects on floors, table tops, and counters was all the rage. I have been testing the vertical experience since it has been available and I can say it works quite well and as soon as the feature is available to the public new versions of my apps will be released. I am anticipating this to be in about 4-6 weeks.
You can download the Nature & Wildlife app or Get it Straight app today.
I’m not the kind of guy that keeps track of all the different birds I encounter. I’m not that guy even though apps like iBird Pro make it very easy to keep track of sightings. After a while though, you just don’t see many new species of bird without making plans to do so with a trip to a new place. I doubt that it is a bird I have not seen before as it is rather common but it is a bird I have not noticed or specifically photographed and that is kind of cool. With a moderate amount of rainfall here in Southern California everything is once again turning green, something we have not seen in a very long time.It made for a fun afternoon shooting and discovering the new bird.
You can’t tell from the image above but the bird I am writing about is the Say’s Phoebe an unremarkable and common bird that just happened to stand out in the fields of green, but still something new is fun to see.
The one thing that will always make or break a photo is the background. Second to the subject the background is the single most important feature that must appear in every photograph. Most of the time the photographer wants to have the background blurred out as much as possible. This allows the viewer to concentrate on the subject which presumably is in focus. I always hear that a good photographer should buy a really fast lens and shoot at a wide aperture to get great blurred backgrounds, also known as “bokeh”. That is great advice but in the world of avian photography it is more complicated than that and I will try to explain a couple of things that have worked out for me in getting pleasing backgrounds.
There are also times when you need to have the background in focus and essentially it becomes the main subject. Take for example a bird silhouette against a sunset or moonscape. This may sound like a fairly easy, straight forward type of photograph but there are some important things that have to happen in order to get both your bird and background in focus.
Just to illustrate how big a deal the background really is, look at the image at the top. It is one of my favorite pictures of a Raquet Tailed Roller from a trip I made to the San Diego Zoo. Now look at the image below. That is the same bird on the same branch taken less than a minute apart. Look at how awful that background is. You may think that one of these images has some clever Photoshop work done to it. Well I am here to tell you that I am not that clever. The whole secret to getting that more pleasing image was to take about a half step closer to the subject and a couple of steps to the left. That is all a product of being mindful of both the subject and the background.
- Always be mindful of both your subject and the background. It is very helpful to search for the background you want in a target rich area and then wait for the birds to come into that background area. It will take experience to know if the background you want is an area where the birds will want to go but just remember that birds are creatures of habit, if they do it once chances are they will do it again. Be careful of branches, twigs, and hotspots. Some of this stuff can be photoshoped but it is always better to get it right in camera.
- The ratio of focal distance to the distance between the subject and background has the most profound effect on the detail of the background. This is true when using any super telephoto lens especially when using a crop sensor camera. So, if you are looking for that super blurry background you want to be as close as possible to the subject and have as much distance as possible between the subject and the background. conversely, if you want the subject and background to be in focus you will want to have some distance between yourself and the subject and also stop down the aperture as much as possible.
- Don’t be too concerned about the aperture settings effect on the background. Typically I only concern myself with aperture settings in regards to the subject. I set it so I will get the detail in the birds where I want it and no more. When using a lens 300mm or more at close distance the depth of field is going to be very shallow anyhow.
- Search for complimentary colors. If you have all those other things working for you the background will very often be just a swath of color. Try to choose colors that will compliment the subject. For example, one of my favorite photos is a white egret against an all blue background caused by the ocean.
- Try to get the background lighting similar to the lighting of the subject. Doing a high key or dark background is very dramatic but a little goes a long way and in general you will want to have the whole scene evenly lit.
Those are my few tips for getting pleasing backgrounds. Thanks for reading and I hope you comeback soon.
Thanks for stopping by and please remember you can always get a copy of my iPad application Wildlife &Nature Wallpapers from iTunes below.
There is nothing blue about them. They are white, gray, black, and even some yellow and green but no blue. I’m talking about the misnamed Great Blue Heron. I guess one could say that the light grey takes on the look of a bluish gray but that is stretching it in my opinion. Great Blue is the largest of the Heron family and is considered a coastal wading bird, they are common along the East and West coast and in the Southern states of the United States.
The photo here with the adult feeding the young has special meaning to me as it was the first series of images I made of the Great Blue Heron. It was also the first time I photographed at 500mm focal length. The lens was a brand new Tamron 200-500 on an old rickety tripod and ballhead. The scene was actually quite dark with the sun at my back completely covered in clouds. Shutter speed was down to 1/160 or below and I was pretty much holding on for dear life trying to keep the camera steady watching the young pop up from the nest from time to time when all of a sudden the adult circled above my head and came in for a landing. I was in the right place at the right time and got one of the more memorable images of my life. All the feeding was over in remarkably short order and in moments the sun was completely obscured and fog rolled in. How did I know to find these birds? Well that part was pretty easy. In the parking lot of the reserve I followed the guy with the most expensive gear. Yup, he hiked in before sunrise about a mile with me trailing him, he set up and waited and I set up right behind him and waited, he didn’t say a word, I didn’t say a word. Many other photographers came by took a few shots and wandered off and not a single one of them got the feeding shots that we both did. Sometimes ignorance really is bliss and it pays to play follow the leader when you don’t know what you are doing.
I have photographed the Great Blue Heron many times over the years and in spite of their size they can be rather challenging to shoot. Every time out I do better than the time before but still I am often disappointed. Perhaps I trick myself into thinking that it is easier than it really is and get lazy about it all. Big slow-moving birds that have neutral colors, what more can you ask for? They tend to be shy and separate themselves from humans on a three-dimensional level (they always want to be higher or lower as well as distant) and that makes things extra tough. When they are hunting or hanging out in a tree these Herons will stand perfectly still for long periods of time so there is never a rush to get the shot just realize that you are going to be at a distance. The best literature I have read about photographing the Great Blue Heron is located on Moose Peterson’s website and rather than trying to repeat what he wrote I will link to that post and let you enjoy it in all it’s glory here.
It may just be bad memory but I think I am drawn to the Great Blue Heron from a sinister cartoon character in my childhood. Sometimes they just look like they are pondering some evil deed.
You can see more of my pictures at www.ronboyddesign.com
One of the iconic images from Bosque Del Apache has always been the storied “Cranes in the Fire Mist” shot. That was a depiction of a very special moment during the sunrise when under the right conditions a mist backlit by the rising sun looked like it was on fire. The conditions had to be perfect with very cold water and direct sunlight. They say the days of the Fire Mist shot are over, restrictions made by the railroad make it difficult to access the best crane pool for the shot.
Whether or not the fire mist shot will ever be made again there still is the fire, and the cranes, and oh my what a great combination they make. If there are clouds in the sky the two large crane pools along the highway to San Antonio (not Texas) are the place to be. After the sun creeps behind the hills the clouds light up with amazing color and there are still plenty of cranes coming in to roost for the night. When they lose the light, Sandhills take much more care when landing so they lower the gear and flaps at a much higher altitude slowing down to almost parachute into the pool. That is when you want to get the Crane in the Fire shot.
Here are a couple of tips. If you want to have a different look try cropping to a square and shooting in the vertical or portrait orientation. Capturing birds in flight in the vertical orientation is a lot more difficult but when you get a good one it pays off in dividends. You will be able to capture many layers of clouds and incorporate land features. It gives the impression of a wide-angle yet still tends to have a close looking subject. Vertical BiF’s, give it a try. Don’t be fooled that sunset is the end, stick around for at least a half hour after the sun is gone. That is the best time just make sure you have a decent shutter speed to get those silhouettes nice and sharp.
Once again thanks for stopping by. 2014 was a fantastic year and we are looking forward to bring you more good stuff in the years to come-Ron
OK, so I am going to get all technical on you today. Recently I heard a very informed person mention the Brown Pelican was not hurt by the chemical DDT which was banned back in the ’70’s. While this is technically true in that the birds themselves were not effected by the chemical in the environment, there was, it is thought, a significant impact on the population. I thought another person duped by clever manipulation of the facts. Rather than making the birds sick the chemical is thought to cause significant thinning of the egg shells (about 12%) of many bird species including the Brown Pelican. After a moment of satisfaction on my part, the informed person caught himself and stated just that, but then went on to say that even the thin shell theory is subject to debate. That led me think it may be true that the evil chemical DDT did not cause the thinning of the egg shells either. Let’ take a closer look.
On Nov. 17, 2009 the Department of the Interior removed the Brown Pelican from the Federal list of Endangered and Threatened Wildlife. The 29 page document goes into great detail about the measures taken to help the Brown, population changes, and even the impact of global climate change, but I did not find any reference to DDT or any other toxin once thought to be the primary cause of threatening the existence of the Pelican. During the time of protection many steps were taken to support the birds, creation of natural habitats, responsible management of oil spills were 2 large factors. Not only did the government take actions to stop the things leading to population decreases but created factors to increase populations. It worked. Still I thought it odd the main culprits not referenced in the document. A little more research uncovered some facts about DDT and the impact on egg shells.
First of all DDT actually has no effect on the eggshells is in fact thought to be a compound known as DDE (Dichlorodiphenyldichloroethylene) a by-product of DDT that is stored in the body fat of raptors and waterfowl. There is a measured correlation of DDE levels and shell thickness but also there is conflicting data. For example the Brown Pelican shells improved with the removal of DDT from the environment but after 40 years of the chemical being banned, California Condors still suffer from thin shells. It is thought that 6-10 years is required to flush traces thought the environment. It is even admitted the DDE damage is a hit and miss effect completely unchanging many bird species, in particular domestic breeds.
So yeah it is subject to debate, not only if it causes shell thinning but also how the DDE is introduced to the birds that are impacted.
You can own your own full resolution of todays photo for just 99 cents. It is part of the iPad application Wildlife & Nature Wallpapers. Download it today.
“To be the business or interest of”, that is how Merriam -Webster defines the word concern and the conservation status of many birds is called “Least Concern”. Obviously that means that there is no concern or danger of that type of bird disappearing from the face of the earth. Ironically, the moniker also translates in another way. It seems as though the common birds draw least concern from those who photograph them. It kind of makes sense in that it is believed to be more of a challenge to make images of birds that are hard to find but in reality isn’t that just matter of patience or having the ability to purchase air fare to travel to where the bird is in promising numbers? The question being, does that make one a better photographer? It may indeed be rightfully so but it seems as though the more money spent making an image the bigger the treasure and that for some least concern falls on the common bird.
I like to photograph these pigeons but they are plentiful in my area and so I seldom show pictures of the pigeons. I never think about whether or not they are common to other people in other parts of the world, they are just the same old pigeon. The pigeon is not super easy to photograph, no bird is, either. Reality is that if you can make a nice sharp picture of any bird it is in its self an accomplishment. Believe it or not there are many very accomplished photographers out there who do not have a prayer of making a bird image on the fly. Photographing the pigeon is not as easy as it would appear either, for one thing they often bob their head back and forth making it hard to get real sharp eyes, a common characteristic of some raptors.
If you follow this blog regular you may notice that we have had some rain the past few weeks and that background has come back to the normal green and Fall colors it is supposed to be. A little late in the season but I will take everything I can get :).
One thing that is of great concern to me is sharing the latest version of my iPad application Nature and Wildlife Wallpapers. Get it at theApp Store today.
Last week I lamented the fact that I did not like the two images I was presenting and that at times there can be overriding factors as to whether an image is worthy of publication. I didn’t like the photos because they were of poor quality in my opinion. The stuff was worthy of publication because it documented strange and unusual occurrences. Today lets take a look at the hawk image and first focus on why I think it is of poor quality. There are three things that I don’t like about the image, what do you think they are? Take a moment, look at it, and make a note of what you think is wrong.
OK pencils down.
First the image is not as sharp as it should be. True that, but exactly why is it not so sharp? Shutter speed is indeed quite low we all have to agree, crop sensor, 300mm with a 1.4x teleconverter says I need around a 1/500sec shutter compensate with the Nikon VR vibration reduction and maybe one could push the speed down to around 1/125sec. So it is simple, not enough shutter speed. But wait, look close and you will see the feet of the hawk are quite sharp. Oh you might say, in that case the depth of field is just too shallow because the head is not nearly as sharp as the feet. Nope, I won’t go into the detail here but given the distance math proves the focal plane should have both the head and feet in focus, in fact the head and feet are very close to being on the same plane in the first place. The real culprit does go back to shutter speed but it about movement related to the scene not the camera and lens. a theory that I have yet to confirm or deny it’s that many bird and raptors in particular quickly oscillate their heads as part of their focus mechanism. It makes sense in that it would help aid in-depth perception to have more than one perspective to reference in your vision. In any case, it is important to remember that movement in the scene is in no way effected by and VR, IS, OS, or any other optical stabilization offered by the camera or lens. Movement in the scene also is not in any way effected by the focal length that is being used, so if you scene requires a minimum shutter of 1/160sec that is it, no further math involved, and no way to get around it.
The key to making the sharpest possible image at extremely low shutter speeds is to make a lot of images. Set that frame rate as high as it will go and burn a bunch of images but it also increases the chances that it will capture that very brief moment when you the camera and lens are free of movement as well as the subject in the scene. Yeah it really works. When in doubt drop the hammer and chances are pretty good the will be a sharp one in the group.
Another thing I don’t like about this photo is the background, in a word it sucks. Even though it is nice and blurry there is a pattern in the background and that pattern is the tell-tale curse of the chain link fence. It is fairly easy to eliminate chain link fence infant of your wildlife subject but behind is another story. In this case it was at an effective focal length of 630mm shooting wide open at f4 fence about 15 feet behind the subject. As you can see it is nice and blurry but the pattern of the chain link is visible. Because this fencing is often coated with a bright galvanized finish it usually contrasts with the rest of the background, overly bright if in sunlight or dark in shade. Removing the unwanted lines is more difficult than it appears in Photoshop also, so don’t think it is easily fixed problem.
Lastly, I just don’t like the colors. It is OK I suppose but there is a sharp contrast between the ground and the rest of the background. It creates a horizon line with a hard transition from tan to green. We are in the midst of a severe drought this year and much of the foliage is off-color. Normally this time of year that chain link fence would not even be visible, it would be covered in green and gold making a sometimes spectacular background. Mother has given us a difficult situation and the is only one good way to handle that, try different perspectives. Go higher or lower than the usual comfort positions and always be mindful of the back ground.
Today I am also including one of my favorite hawk pictures so you won’t feel cheated on a good image for another week :). Thank You for stopping by, I hope my little reminders and failures help you and your photography.
Please, don’t forget you can download the latest version of my iPad application Nature and Wildlife Wallpaper below.